Peter Schjeldahl reviews the Edward Hopper retrospective at the Boston Museum of Fine Arts.The scale of the paintings is indifferent, in the way of graphic […]
Latest articles
Dana Schutz compare and contrast
On artnet, Abraham Orden looks at the “Arcadian world of painting” in current New York gallery shows.
Michael Kimmelman NYT review of Myron Stout
Art Reveiw The canvas, Stout wrote, came not from any remembered form of flowers or flower beds but from a tree outside the door, a […]
Dana Schutz Fest
Schutzs new paintings are at Zach Feuer through May 19. Holland Cotter weighs in on Schutz’s show at Feuer in The New York Times. “The […]
The accumulated weight of experience
Richard Rhodes on the new abstraction: “Painting has regained its relevancesocially and professionally. It has re-established a life for images beyond photography and the mass […]
Ellsworth Kelly rocks at the Tate Modern
In The Guardian, Jonathan Jones wonders why gallery goers aren’t blown away. “If Kelly makes you see the sheer beauty of minimalism – as opposed […]
Turner Prize shortlist: painters given the brush-off
After awarding Turner Prize to abstract painter Tomma Abts last year, not a single painter makes the 2007 shortlist .
In the isolation hut
High Times, Hard Times: New York Painting 19671975 On Artnet, Jerry Saltz reviews this “saber-waving, opinion-altering show, for the simple if thrilling reason that it […]
Op Art is back…again.
David Rimanelli writes in the May issue of Art Forum that Op Art, the subject of two big museum shows, is back. After seeing the […]
