Contributed by Susan Wanklyn / For many years Jill Levine has explored the territory between painting and sculpture. Her pieces are constructed with Styrofoam shapes, […]
Studio Visit
Studio Visit (at last) with Lucy Mink
Contributed by Jason Andrew / Lucy Mink was the first artist I came to know solely through Facebook. She didn�t live in Brooklyn but in rural Contoocook, […]
Matthew Miller: Inside the near-perfect black
Contributed by Jonathan Stevenson / Brooklyn-based Matthew Miller, recognized as an extraordinary figurative painter for some time, recently held an open studio in anticipation of a […]
Studio visit: Lisa McCleary
Contributed by Sharon Butler / While I was a Visiting Artist at the Vermont Studio Center earlier this month, I met Lisa McCleary, an Australian-Irish artist who […]
Immediate, physical, emotional: Studio visit with Elise Siegel
Contributed by Leslie Wayne / For as long as I�ve known Elise Siegel, she has been making three-dimensional work about the psyche. Although her sculptures […]
Summer studio: Catherine Howe in Clermont, NY
Contributed by Sharon Butler / Recently I was pleased to learn that Winston W�chter Fine Art in Chelsea and Seattle will be representing Catherine Howe, a […]
Meet the 2018 Sharpe-Walentas Studio Program Awardees
Today the Sharpe-Walentas Studio Program announced the seventeen talented (and lucky) artists who have been selected to to receive rent-free studio space in DUMBO during 2018-19. They received […]
Studio Visit: James Rauchman
Contributed by Sharon Butler / We were born several years apart, but James Rauchman and I have the same severe late-February birthday. Babies born in the northeast […]
Didier William: The unblinking eye
Contributed by Sharon Butler / Stopping by Didier William�s studio in Philadelphia recently, I was surprised and impressed to find that his colorful abstract paintings […]
Painter partners: Gary Stephan and Suzanne Joelson
Contributed by Sharon Butler / For nearly 40 years, painters Gary Stephan and Suzanne Joelson have spent summers in an old farmhouse located in a small […]
Studio visit with Kate Liebman
Contributed by Debbi Kenote / “I see myself as a figure painter,” Kate Liebman tells me as I sit in her Bushwick studio, where the […]
Studio visit: John Zinsser
Contributed by Sharon Butler / Two Coats of Paint recently stopped in at John Zinsser‘s sunny Greenpoint studio. Zinsser moved to New York in the […]
David Rhodes: Events and incidents
Contributed by Sharon Butler / I met David Rhodes (b. 1955, Manchester, UK) in a Greenwich Village loft where his black and white paintings, both […]
Interview: Medrie MacPhee in Ridgewood
Contributed by Sharon Butler / Medrie MacPhee’s pensively beautiful paintings first came to my attention at the 2015 American Academy of Arts and Letters Invitational Exhibit. The paintings she had in the show, abstract with architectural references, featured deconstructed pieces of clothing subtly collaged onto the surfaces. MacPhee is a very accomplished artist. Born in Edmonton, Alberta, she earned her BFA from the Nova Scotia College of Art and Design and then, in 1976, moved to NYC. Since then, she has racked up numerous shows and awards, including a Guggenheim, a National Endowment for the Arts Grant, an Elizabeth Greenshields Award, New York Foundation for the Arts Grants, and Canada Council Established Artist Grants. After 25 years in a loft on the Bowery, she and her partner–filmmaker Harold Crooks–moved to Queens, where they bought a small building with first-floor garage that MacPhee has turned into a studio. We talked about image, process, surface, content, and the impulse to add clothing to her canvases.
Interview: Leslie Smith III in Madison, Wisconsin
I took a trip to Madison, Wisconsin, in December, when the sky was gray but before the temperature had turned bitter. My guide was Leslie Smith III, a 2009 Yale MFA graduate with a BFA from the Maryland Institute College of Art who will have paintings on display at VOLTA next week with beta pictoris gallery / Maus Contemporary. Smith is an assistant professor of drawing and painting at University of Wisconsin-Madison, where he has a generous studio in the art building on campus. During my visit, he showed me his new paintings, which are purely abstract, comprising multi-panel shaped canvases, vivid, high-key color, and wobbly geometric shapes. We talked about the painting process, his shift to shaped canvases, and his transition from figurative work to abstraction.
Interview: Stephen Westfall in Industry City
Contributed by Rob Kaiser-Schatzlein / On a rainy day in November I visited Stephen Westfall at his Brooklyn studio. Among my young painter friends he […]
Hermine Ford’s order and disruption
Contributed by Jonathan Stevenson / Hermine Ford’s Tribeca loft, which she and her husband, painter Robert Moscovitz, purchased decades ago, comprises their home […]
Sharon Louden: Animated life
Contributed by Sharon Butler / For several years Sharon Louden, who studied painting when she got her MFA at Yale, has been making large-scale, site-specific […]
Studio visit: Sue McNally
Sue McNally is working on �This Land is My Land,� a series of large-scale landscape paintings, one for each of the fifty United States. During […]
Report: “Command-Z” at Improvised Showboat
Improvised Showboat, a curatorial project developed by artists Zachary Keeting and Lauren Britton, mounted its seventh one-night show this past weekend in my new […]










































