Contributed by Sharon Butler / Offices were once equipped with typewriters, copy machines, and paperclips, and, of course, contained the files that organized and stored […]
Solo Shows
Lisa Beck: So-called opposites
“I am attracted to related visual phenomena like positive and negative, pattern and randomness, color and grayscale, flatness and depth, representation and abstraction. I always […]
Jacqueline Humphries: The Matrix meets Cy Twombly
Contributed by Sharon Butler / In her ninth solo show at Greene Naftali, Jacqueline Humphries presents ten towering canvases that grapple with our relationship to […]
Cary Smith�s hand-painted precision
Contributed by Sharon Butler / In his second solo at Fredericks & Freiser, Cary Smith presented a new group of his signature hard-edged abstractions. These […]
Lauren Luloff: Drawing (with bleach) from life
Contributed by Eileen Jeng Lynch / Harking back to the Impressionists, Lauren Luloff has begun painting from life, focusing on light, color, and the world […]
Tom McGlynn: Liberating geometric shapes
Contributed by Sharon Butler / Tom McGlynn’s enigmatically reductive paintings are a study in subtle contrasts between systematization and autonomy, order and disarray. Horizontal rectangles […]
Laurie Sverdlove: Unsettled in Vermont
Contributed by Dian Parker / Vermont artist Laurie Sverdlove has been painting for four decades. In high school she took classes at the Art Students […]
Jeremy Hof: The elephant In the room
Contributed by Dion Kliner / A preamble: An elephant in a living room, as unlikely as it is to find one there, would never be mistaken for a couch. That is something of the situation that Jeremy Hof’s work puts one in; forcing the unfortunate necessity of bringing up the question of a particular piece being either painting or sculpture when an answer should be obvious and unnecessary. At this date the general question of something being either painting or sculpture is about as interesting as the question of whether something is art or not, and as equally productive (which is to say not at all). And yet here the question sits (I imagine it grinning), persistent and unavoidable.
Elizabeth Murray�s magnificent tensions
Contributed by Jonathan Stevenson / Elizabeth Murray (1940�2007) was one of art�s gloriously purposeful paradoxes. Her work is irrepressibly bold yet insistently nuanced; liberated in […]
Fernanda Fragateiro: Commemorative abstraction
Contributed by Marjorie Welish / The clearest innovation of Portuguese artist Fernanda Fragateiro‘s poignant exhibition, on view at Jose Bienvenu through November 4, is the […]
Peter Halley: The new unreality
Contributed by Sharon Butler / In his first solo show at Greene Naftali, Peter Halley contends with the new American reality of an increasingly shameless and authoritarian state under which, despite the best efforts of an overstretched free press and an embattled political opposition, the difference between fact and fiction has become increasingly obscured. Halley has outfitted the cavernous gallery with metallic floor-to-ceiling digital prints, tweaked lighting, a handful of his signature paintings, and intermittent sound emissions to create a disturbing sense of unease and “topsy-turvy disorientation. In the back room, as a mordant coda, Halley has included one of Robert Morris’s 1978 sculptures made of classical architectural fragments and a distorting fun house mirror.
Pierre Coupey: Beyond the borders
Contributed by Dion Kliner / Over the course of more than five decades as a non-representational painter Pierre Coupey has deliberately avoided settling into a […]
Carolyn Case: The mythic and the mundane
Contributed by William Eckhardt Kohler / The more I look at the paintings by Carolyn Case in her show “Homemade Tattoo,” on view at Asya […]
Rafaël Rozendaal: Post-internet giddy
Contributed by Marjorie Welish / Rafaël Rozendaal’‘s “Anti-Social” is polyglot, and speaks all at once. Stretched on a support for canvas is a Jacquard textile […]
Leslie Wayne: Beyond painterly
Contributed by Sharon Butler and Jonathan Stevenson / Leslie Wayne, in transcendently clever new work on view at Jack Shainman Gallery through October 21, has […]
Calvin Ross Carl’s post-internet confectionary wisdom
Contributed by Sharon Arnold / As I open the front door to Robert Yoder’s SEASON, a gallery housed in his beautifully renovated mid-century home, I’m […]
Steve Greene’s afterimages
Contributed by Sharon Butler / Beat-up paper, runny ink, and crusty surfaces aren’t so prevalent now that preliminary studies can be more efficiently made — […]
Andrea Belag: Making changes
Contributed by Sharon Butler / Andrea Belag is best known for making dark, stormy abstractions in which fat, translucent brushstrokes swoop and twist around large-scale […]
Gretchen Frances Bennett�s tenderness
Gretchen Frances Bennett: “Objects that appear in my�drawings are pieced together place holders, in an ongoing search for the things that stay. They�speak to a […]
Medrie MacPhee: Flat-out at Tibor de Nagy
Contributed by Sharon Butler / Medrie MacPhee’s new paintings, on view at Tibor de Nagy (recently relocated to shared space with Betty Cuningham on the […]










































