Contributed by Adam Simon / One of the under-appreciated aspects of art viewing is the way that a given work establishes a certain relationship with a viewer. Mark Rothko famously claimed that “lots of people break down and cry when confronted with my pictures.” He may have been trying to fend off a formalist reading of his work, but I can’t help wondering about the type of relationship he posits in that quote. In Amanda Church’s fine exhibition “Recliners” at High Noon, a very different type of relationship is established, in which the object playfully attunes the viewer to the knowledge and predilections he or she might bring to the experience of looking. Don’t expect to cry, but do prepare to be winked at.