Contributed by Sharon Butler / This month, Two Coats of Paint is glad to welcome Nichole van Beek to the Residency Program, from March 16–20. For a show at the Morris N. Flecker Memorial Gallery in 2017, when she still lived and worked in NYC, Matthew Neil Gehring aptly introduced her paintings as “macrocosmic encounters with impossible and tantalizing illusions situated in a space that is once grounded in the familiar, the natural, yet is infinitely expansive.” She moved from NYC to the hollows of the Appalachian Mountains several years ago and found new content and media for her art practice, but she has retained the fine balance Gehring described between the big picture and smaller ones.
Author: Sharon Butler
Sharon’s Substack / March 3, 2026
Artists Talk, making art during wartime, last chance for exhibitions at 68 Prince Street Gallery and CLEA RSKY, Resident Artists, next Open Studios, “Street Corner […]
NYC Selected Gallery Guide, March 2026
I was doing an artists talk with Jason Travers at 68 Prince Street Gallery in Kingston, NY, two weeks ago, and the subject of politics came up. Jason said he kept going back to sinking ship analogies. “It’s sometimes lost that even on the sinking Titanic there was hope for humanity. While it was sinking, there was a string quartet playing for panicked passengers. These musicians kept playing while the ship went down. The man who led that quartet was Wallace Hartley. I don’t want his name to be forgotten. There was a time when I would think about him and feel angry— why are you playing music when you should be getting on one of those boats? Now I look back at his contribution differently, and I do think it was a contribution. He was doing the only thing he could do. He was restoring a sense of humanity at the moment it was most needed — even if no one was listening. In a way, that’s the analogy for the artist today. I feel like Wallace Hartley — playing music while the whole world is falling apart and nobody’s paying attention.”
“Spot On,” at 68 Prince Street Gallery in Kingston
On Saturday, February 21, 2 pm. please join artist and Two Coats of Paint publisher Sharon Butler and artist Jason Travers for a conversation at 68 Prince Street Gallery in Kingston, NY. They will be discussing their new paintings, which are on viewat the gallery in “Spot On” through March 8, 2026. Free and open to the public.
Street Corner Conversations: Sharon Butler, Wendy Fulenwider Liszt, Ariel Mitchell at McBride/Dillman
Join us on Sunday, February 8 at 2 pm for a lively conversation with abstract painters Sharon Butler, Wendy Fulenwider Liszt, and Ariel Mitchell as part of our exhibition Street Corner Conversations. Seating is limited, and refreshments will be served.
Anne Russinof: More than a gesture
Contributed by Michael Brennan / Anne Russinof passed away a year ago at the age of 68. “Gestural Symphony” is a commanding memorial retrospective of her mostly large, emphatically gestural paintings. Posthumous exhibitions are by nature bittersweet, but Russinof’s resists melancholy because her work is so irrepressibly lively. Her signature outsize curves are sweeping and springy. They kick, bounce, and jump around.
Kick-off: The Two Coats 2025 Year-end Fundraising Campaign
Dear Two Coats of Paint Readers, This week we launch the 2025 Two Coats of Paint Year-End Fundraising Campaign and, because you are a loyal […]
Sharon’s Substack / September 10, 2025
Remember Hurricane Sandy? It was a devastating superstorm that struck the northeastern United States on October 29, 2012, and turned into one of the most […]
Beck Lowry: Fusing Modernism and global craft
Contributed by Will Kaplan / Beck Lowry’s sculptural paintings act as vessels. But what do they hold? Memory? Sensation? Labor? Five such pieces comprise “First Storm,” at Yossi Milo Gallery, the artist’s first New York solo show. In its earthen palette and irregular construction, the work resembles ceremonial objects, though the associated eras and cultures remain mysterious. For understanding the art’s function and what it contains, Lowry’s process is key.
Enzo Shalom’s meandering brush
Contributed by Sharon Butler / On view in the upstairs gallery at Bortolami, Enzo Shalom’s paintings – modest in image and muted in palette – carry a quiet intensity that has felt rare among young New York painters in recent years. At a time when traditional painterly bravado dominates, Shalom takes a different route, making vulnerability seem like a radical act. His work leans into restraint: awkward angles, washed-out tones, and just enough mark-making to read as intentional without seeming overworked. If you can imagine early Luc Tuymans’ bleached-out hues, EJ Hauser’s jagged lines, and Gary Stephan’s off-kilter compositions, you’ll land somewhere near the world of Shalom’s paintings. It’s a subdued, thoughtful space, low-key but deeply engaging.
NYC Selected Gallery Guide, February 2025
Contributed by Sharon Butler / It’s February, we’re two weeks into the first hundred days, and your head, like mine, may be spinning. Take your mind off the world for a minute. Be grateful for the good things in your life, maybe figure out how to help where help is needed. A little light could emerge from the February shows. “La Banda” gets back together at Tappeto Volante Projects. Platform Project Space reopens from their winter break with a big group show called “New Life,” curated by Alexi Worth and Danica Lundy. Rumor is that it involves paintings of babies. Maybe it’s time to see a show at Halsey McKay Gallery HMGP in Greenpoint, where Timothy Bergstrom’s work is on view. Then let’s all go buy a canister of pepper spray and sign up for a self-defense class.
Kate Shepherd: Feel me
Contributed by Sharon Butler / Kate Shepherd’s 2025 exhibition “ABC and sometimes Y,” at Galerie Lelong & Co. in New York, hums in the space between precision and poetry. The paintings are specific and unshowy, rendered in colors that Shepherd selects for their emotional undercurrents. She teases out big questions: How do we interact with the world? How can we untangle what we see? And how do color and form quietly alter our perceptions? The result is a kind of geometric sorcery whereby shapes don’t sit still – they shimmer, shift, and keep you guessing. Every line, every wobble feels heartbreakingly human, which is extraordinary for geometric abstraction.
NYC Selected Gallery Guide, January 2025 (Updated)
January news: Astonishing. Completely astonishing. Thanks to you, Two Coats of Paint raised about 20% more last year than in 2023, setting a record for our year-end fundraising campaigns. Due in large part to the Open House art and merch sale in December, this result affords us the resources to continue operating: to pay the server fees and the writers and to craft an online publication that matters to the NYC art community and beyond. Your donations and purchases, combined with our modest advertising revenue and your generous recurring contributions, will keep the lights on….
Kick off: The Two Coats 2024 Year-end Fundraising Campaign
It starts again! The annual campaign—a reminder that survival in the arts isn’t just about making work, but sustaining the framework that allows it to exist and thrive. We know art is essential, and it needs financial support. Today, we launch the 2024 Two Coats of Paint Year-End Fundraising Campaign, because the simple truth is that without funding, the platform falters, the conversation dims….
UPDATED: NYC Selected Gallery Guide, October 2024
Welcome to the early edition of our October painting-centric gallery guide. Later in the month we will be updating the list with more exhibitions that open in the second half of the month. Galleries that would like their shows considered for inclusion should send a note to…































