Contributed by Saul Ostrow / “A Decade: 2012–22” is the first show of Cora Cohen’s work since her death in 2023. It includes a broad range of her late paintings and drawings, which reflect what might perhaps be called her “formalism” – a term that when applied to Cohen, resists any terminal definition, promise of unity, or set of rules. Her 50-year career frustrates linear narration, but what remained consistent across her varied approaches to painting was an unwavering commitment to abstract painting as a process-driven pursuit.
Tag: Sigmar Polke
Tina Girouard: In the realm of the possible
Contributed by Adam Simon / At some point, my IG algorithm sent me a clip of Brian Eno talking about how the term ‘genius’ should be replaced with ‘scenius’ because no artist works in a vacuum. Artists all come from some version of a scene, however small. Perhaps no one illustrates this better than Tina Girouard, who died in 2020 and whose work can currently be seen in NYC at two galleries, Magenta Plains and Anat Egbi, and at the Center for Art, Research and Alliances (CARA). During the 1970s, Girouard was instrumental in founding 112 Greene Street…
Kosuke Kawahara: A heady stew of inspirations
Contributed by Michael Brennan / For a few years now I’ve been following Kosuke Kawahara’s art, which I’ve mostly seen in underground spaces such as Brian Leo Projects, Super Dutchess (now closed), and Culture Lab LIC. These presentations were uniformly fine and intriguing but also truncated and segmented, as was Kawahara’s previous on-line exhibition with RAINRAIN, which has now mounted “Exotic Star” – the artist’s and the gallery’s first true solo exhibition, and the gallery’s inaugural show at its new location on the edge of Chinatown. About a dozen paintings, works on paper, and small sculptures populate this rectangular space, occupying about a half-dozen distinctly crafted stations. It’s a revelation.
Sigmar Polke sees the light
In Time Out New York Howard Halle reports that Sigmar Polke’s “Lens Paintings” are further testament, if any is needed, to the power of an […]
The inscrutable Sigmar Polke
In today’s NYTimes, Carol Vogel visits Polke in his Cologne studio before he ships his paintings to the Venice Biennale. As is always the case […]



















