Tag: Seattle Post-Intelligencer

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Painting in Seattle: Darren Waterson, The Prom

“Darren Waterson: Last Days,” Greg Kucera, Seattle, WA. Through February 9.“The Prom: A Semi-formal Survey of Semi,” curated by Alex Ohge. Lawrimore Project,, Seattle, WA. Through February 23. Artists include Tomory Dodge (LA), Ingrid Calame (LA), Eric Sall (NY), Gordon Terry (NY), Nicholas Nyland (Seattle), Yoon Lee (SF), Tiffany Calvert […]

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Shimomura’s deadpan memories of internment

“Roger Shimomura: Minidoka on My Mind” Greg Kucera Gallery, Seattle, WA. Through Dec. 22. Shimomura’s new paintings explore his childhood experiences in an Idaho internment camp for Japanese-Americans during WW II. “After years of studious concern over content, I feel that I have either reached or sunk to a level […]

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Grant Barnhart at OKOK in Seattle

“Exact Change: Paintings by Grant Barnhart,” OKOK Gallery, Seattle, WA. Through Jan. 3. Although this article is mostly a profile of OKOK owner/director Charlie Kitchings, Regina Hackett includes a bit about Grant Barnhart’s exhibition, which opens tomorrow. “Painting in oils with his hand and drawing in graphite powers and solvents […]

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Gaylen Hansen retrospective in Seattle

“Gaylen Hansen: Three Decades of Paintings,” curated by Keith Wells. Seattle Art Museum, Seattle, WA. Through Jan. 6. Organized by the Museum of Art at Washington State University, Pullman, WA. See images of his work. A retrospective of Washington-based painter Gaylen Hansen features more than 30 paintings drawn from public […]

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Checking in on motel art

“Bridge Motel,” Fremont, WA. One night only.“50,000 Beds,” throughout Connecticut. Through Sept. 23. The projects in the “Bridge Motel” let’s-have-a-show-before-the-developers-knock-down-the-building extravaganza were primarily oriented toward performance and installation, but painter Laura Corsiglia participated with a series called Slippage Drawings. “Slippage Drawing is both born and made. Looking to contain and […]

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Criticism and geographic context

Regina Hackett blogs in the Seattle Post-Intelligencer that critics’ choices and interpretations are informed by geographic context: “In Roberta Smith’s obit, Elizabeth Murray became a step in a fictional staircase, one of four painters — Philip Guston, Frank Stella and Brice Marden — who ‘during the 1970s rebuilt the medium […]

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Cameron Martin’s neonoir experience

“Neonoir,” curated by Cameron Martin. Howard House, Seattle, WA. Through Sept. 22. Artists include Dike Blair, Michael Byron, Judith Eisler, Wayne Gonzales, Angelina Gualdoni,George Rush, Helen Sadler. Martin writes in her essay: “For me, the contemporary noir image can highlight a new kind of sublimity, in which our fear of […]