Contributed by Axel Bishop / In a collaboratively constructed two-person exhibit at PS122, Brown and Cords experiment with the interplay of image-experience vs. knowing through written language.
Tag: PS122
Award-winning blogazine, primarily about painting
Saturday, October 1, 2022
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Letter from the Midwest: Fine value at The Bank
Contributed by Jenny Zoe Casey / I recently set out on a five-hour solo road... -
Cathy Diamond and Laurie Fader: The romance of painting
Contributed by Margaret McCann / Stylistic affinities hold the paintings of Cathy Diamond and Laurie... -
Fran Shalom: Finding weight and presence (with humor)
Contributed by Sharon Butler / I went to visit Fran Shalom's studio in Jersey City... -
Short story: The Cat Sitter [Laurie Fendrich]
Hold on, hold on, Harry said to himself as he scrolled back up the web... -
Paul Corio: Unapologetically vivid visual sensations
Contributed by Jacob Cartwright / The snappy color-driven works in Corio’s fourth solo at McKenzie... -
Hudson Valley Selected Gallery Guide: September, 2022
Contributed by Sharon Butler / In September, as people head back to the city for... -
Artist’s Statement: Vittorio Colaizzi
The paintings come from drawing—not finished plans but compositional ideas that make way for the... -
Hank Ehrenfried’s painterly erudition
Contributed by Michael Brennan / “Fold Upon Fold,” the title of Hank Ehrenfried’s first solo... -
Cora Cohen’s thoroughbred abstraction
Contributed by Michael Brennan / The virtues of some art emerge only when it steps... -
Five Things: Katherine Bradford at Portland Museum of Art
Contributed by Ellen Letcher and Julie Torres / We are huge Katherine Bradford fans, and...