Contributed by Will Maddoxx / Last summer, the New York Times reported that someone impersonated Lady Gaga to buy a painting of Emma Webster’s. The piece highlighted the market for these paintings and coincided with an impressive show at Petzel displaying two huge canvases at once grand and sublime. Seeing that “Rues and Leaves Themselves Alone” was opening so soon after that last show, I wondered whether the work would be rushed and uninventive. In fact, the new paintings are very good.
Tag: Petzel Gallery
Charline von Heyl’s audacious eclecticism
Contributed by Barbara A. MacAdam / Where to begin in exploring Charline von Heyl’s formidably eclectic and multifaceted show of new paintings at Petzel Gallery? She embarks on a visual discussion with her mostly nineteenth- and twentieth-century European and American predecessors and counterparts in a tour de force. The show, cluttered yet precisely deployed, demands equally targeted unpacking, close looking, and an individual assessment of each painting on its own terms.
























