Contributed by Tena Saw / Emily Kraus’s paintings are stuttering fields of glitches and agitation that shake and swagger like a Warhol Elvis. Her debut New York solo exhibition at Luhring Augustine Tribeca arrives with a kind of procedural mythology already attached. The artist works inside a self-designed apparatus, feeding raw canvas through rollers, painting in collaboration with the machine. The paintings come into being from pressure, friction, and chance.
Tag: Op art
Rob de Oude: See what happens
Contributed by Jacob Cartwright / It is no contradiction to observe that Rob de Oude paintings in his solo show “Rhyme and Repeat” at McKenzie Fine Art are created with an exceedingly sober methodology, yet achieve intoxicating outcomes. To make something and to see something are two different things, and revealing the interrelationship between them— as de Oude’s do— is one of the greatest pleasures that paintings can offer. While it may seem inapt to call such an exacting technician an experimental painter, the designation fits. De Oude conducts his investigations in the controlled environment of his studio, where variables are adjusted with one goal in mind: to see what happens.
Op Art is back…again.
David Rimanelli writes in the May issue of Art Forum that Op Art, the subject of two big museum shows, is back. After seeing the […]
























