Contributed by Bill Arning / Private Public Gallery has earned its reputation for mounting deeply considered exhibitions of painting that honor artists who have spent decades refining their own private grammars of mark and color. Entered through a small garden – an architectural prelude that feels almost ceremonial – the gallery offers a perfect threshold for work that rewards slow, attentive looking. “Here, Elsewhere,” Kylie Heidenheimer’s first solo exhibition there, is fully in that lineage.
Tag: Keltie Ferris
The post-contemporary paintings of Jared Deery
Contributed by Zach Seeger / Freight + Volume’s vaulted Tribeca showroom is the perfect amalgam of its previous spaces in Chelsea and the Lower East Side: a charming and spacious boutique, ideally suited to paintings. Jared Deery’s tightly curated solo show “A Liminal Light”, includes large, portrait-oriented canvases featuring magic-marker-inspired motifs of drips, loops, blobs, and streaks that conjure still-life flowers and their imagined domains. In entering the gallery, they appear as natural and seamless as a screensaver at an internet cafe waiting for a patron to connect to Netscape. They are simultaneously retro and futuristic, borrowing from 1990s cyberpunk and catapulting its very obsolescence into a commentary on physical gallery space.
The Casualist tendency
This essay, which builds upon an essay about contemporary abstract painting that I wrote for The Brooklyn Rail in 2011, was just published in the […]
NY Times Art in Review: Tazeen Qayyum, John Wesley, Alexi Worth, Keltie Ferris, Trenton Doyle Hancock
“Tazeen Qayyum,” Aicon Gallery, New York, NY. Through Jan. 11. Karen Rosenberg: “Insects also figure in small paintings by Tazeen Qayyum, who renders cockroaches and […]
Jukkala doesn’t name names in New Haven
The current show at Artspace in New Haven, CT, highlights seven painters whose abstract work focuses on elements of color, shape, and surface. The imagery […]

























