Contributed by Adam Simon / I’ve been aware of Fran Shalom’s paintings for a while and have been interested in how at times they seem like a comic version of abstract painting. She excels at what I would call formal wit, eliciting not a belly laugh but a knowing smile from those familiar with the vernacular. Her humor is a foil of sorts, providing cover for a serious investigation into the way shapes can carry associations and embody feelings. Looking at one of Shalom’s paintings can be as psychologically charged as an encounter with an eccentric person. My assumption is that the paintings are arrived at, as the title of her current show at Kathryn Markel Fine Arts, “Everyday Improvisations,” suggests, through trial and error.
Tag: Kathryn Markel Fine Arts
Lisa Hoke’s visual rodeo
Contributed by Jonathan Stevenson / Information overload has understandably been a popular theme for artists, and many have explored it poignantly….Lisa Hoke is one – a game and capable bull rider in a visual rodeo. In her solo show “Relative Uncertainty” at Kathryn Markel Fine Arts, she meets the challenge with consummate skill, persistent wit, and, not least, a kind of stoical grit that firmly rebuffs any attempt to cast her outwardly joyful approach as sheltered or clueless, utopian or oblivious.
Patricia Satterlee and Fran Shalom: Heirs to Nozkowski
Contributed by Sharon Butler / Abstract painter Thomas Nozkowski was widely and deservedly recognized for making intimately scaled abstract paintings using an idiosyncratic visual language that was derived from the visual and emotional stimuli of everyday life. Since his death in 2019, I’ve often wondered who might be the next Nozkowski. Given the trend towards figuration, mixed-media surfaces, and massive scale, precious few painters seemed to be walking in his humble footsteps. Now we have Patricia Satterlee and Fran Shalom.
Maeve D�Arcy paints the passage of time
Contributed by Patrick Neal / Taking in the paintings of Maeve D�Arcy, currently on view at Kathryn Markel Fine Arts, I kept thinking of the […]


















