Contributed by Emma Stolarski / Plant life is one of natures masterpieces. Botanical beauty, medicine, and ecological systems are integrated in every part of our lives, whether we think about it or not. Despite being here well before us and defining us as humans, plants are having an especially unique […]
Gallery shows
Medrie MacPhee, David Humphrey, and the power of recognition
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the problem with figurative art was that it vanishes into recognition. By 1960, he was griping about the conceit that abstract art was autonomous, pure and for itself. The tension implied by these two conflicting but evidently valid […]
The “whorish porous” in the work of Angela Dufresne
Contributed by Andrew Woolbright / Angela Dufresnes dual shows at Yossi Milo Gallery and M+B Los Angeles provide an opportunity to assess the full breadth of this influential figurative painters practice. The two shows, opened in tandem, nearly emptied her studio. The exhibits pose new paths forward from John Currin […]
The political imperative: Gatson, Humphrey, Williams, Worth in Chelsea
Contributed by Jonathan Stevenson / The clash between Donald Trump�s nascent fascism and America�s liberal traditions, brought to a head by the murder of George Floyd and its aftermath and exacerbated by the Covid-19 pandemic, made the 2020 election the most important one since Abraham Lincoln prevailed in 1860. In […]
Two Coats Selected Gallery Guide: Mid-fall 2020
There is a bit of urgency to get out and see some shows in the next few weeks because it looks like we might be faced with another wave of Covid and, thus, another lockdown. In related news, the election is underway, so don’t forget to go out and vote. […]
Between object and metaphor: Berger, Lled�s, and Uchiyama
Contributed by Karen Schifano / Reacting to the overtly emotional critical response to Abstract Expressionism, Frank Stella sought to refine Greenbergian formalism by reducing painting to its value as an object and nothing more. He is famous for saying, �What you see is what you see,� and influenced an entire […]
Michelle Vaughan presents forty conservative women
Contributed by Sharon Butler / Walking into Michelle Vaughan�s show at Theodore:Art, visitors are confronted with a small oak bookcase, desk, and chair in the center of the gallery. The walls are lined with forty framed portraits of notable conservative women, meticulously rendered in faded pastels on gray paper, that […]
The painterly photographs of Jan Groover
Contributed by Patrick Neal / I�ve been thinking a lot about the work of photographer Jan Groover. This started a few months ago when the artist and critic David Ambrose mentioned her, and I learned she had been a long-term faculty member at SUNY Purchase and teacher of the wildly […]
Facts on the ground: Katy Crowe and Coleen Sterritt
Contributed by Sharon Butler / In the exhibition statement for “Evenso: The Common and Curious,” a two-person exhibition at the Los Angeles Harbor College Fine Arts Gallery featuring Katy Crowe‘s paintings and Coleen Sterritt‘s objects, curator Ron Linden quoted a piece Ben Lerner wrote about Michael Palmer’s poetry for Harper’s […]
Richard Tuttle sees the light
Contributed by Sharon Butler / Richard Tuttle, who has lived in New Mexico since the late 1980s, recently got an expansive new studio on Mount Desert Island in Maine. Exchanging mesa views for a perch on the ocean, at the very edge of a country on the verge of a […]