Contributed by Paul DAgostino / Nobuhiko Obayashis film Labyrinth of Cinema is, as billed, broadly, profoundly, and provocatively about war. He is best known for his epic War Trilogy. At the same time, the storied Japanese filmmakers final film completed not long before he passed away at the age of 82 in April 2020 is also a visually dazzling, pan-historical account of the ways and reasons for which films are made, viewed, critiqued, and recalled.
Screens
Art and TV: A misanthrope’s moment
Contributed by Jonathan Stevenson / If the Cold War suppressed heroism to the point where anti-heroes came to rule culture, the post-Cold War era may have engendered such disappointment in humankind as to elevate the thoughtful misanthrope to icon.
Art and Film: Casimir Nozkowski’s Brooklyn
Contributed by Jonathan Stevenson / The Outside Story, writer-director Casimir Nozkowskis agreeable feature debut, shapes up as a fairly typical indie shaggy-dog story: a mildly […]
Poetic Pursuits: The Truffle Hunters
Contributed by Paul D’Agostino / A few foragers gathered in a middle-grounded clearing in a forest, conversing casually as their dogs sniff and shuffle excitedly […]
Art and Film: Ursa meta
Contributed by Jonathan Stevenson / These times demand both mordant humor and serious contemplation, which helps explain the prevalence of meticulously packaged black comedies in […]
Art and Film: A subdued Top Ten in 2020
Contributed by Jonathan Stevenson / By the most salient political parameters governance, public health, the rule of law 2020 was one of the worst years […]
Art and Film: Men of wealth and taste
Contributed by Jonathan Stevenson / Charles Willeford — Guthrie-esque hobo, World War II hero, pulp-fiction genius — was one of the best crime writers of his generation, influential yet under-appreciated. Among his many books, Cockfighter became a cult-classic film starring Warren Oates, Miami Blues a quirky eighties jaunt with Alec Baldwin, Jennifer Jason Leigh, and Fred Ward. His slender memoir, I Was Looking for a Street, wistfully encapsulated both the promise and the strange loneliness of mid-century America, much as Raymond Chandler and Ross Macdonald did in their detective fiction. The Pick-Up was a brutal, uniquely incisive parable about race in America. Thirty-two years after his death and almost 50 years after its initial publication, The Burnt Orange Heresy — arguably his best novel — has made it to the screen, courtesy of director Giuseppe Capotondi and screenwriter Scott Smith, who prove its timelessness.
Art and TV: Professor T, an extraordinary burst of mind
Contributed by Laurie Fendrich / Boy did the otherwise on-the-mark Guardian television critic Lucy Mangan get it wrong. In her 2017 review of the Flemish […]
Art and TV: L’Art du Crime
Contributed by Jonathan Stevenson / France produces some superb television, but you could be forgiven for entertaining skepticism about L’Art du Crime, which at first […]
Art and Film: DIY festival for readers who miss NYC
Contributed by Jonathan Stevenson / Even deprived of movie houses, cinephiles abhor a vacuum. Criterion may be their readiest source for a themed set of […]
Art and Film: In the zone
Contributed by Jonathan Stevenson / In 1959, at the height of the Cold War, Rod Serling trademarked the creeping alteration of reality as a feature […]
Art and Film: Claustrophobia
Contributed by Jonathan Stevenson / People in lockdown on account of a pervasive but invisible biological enemy might be perversely drawn to movies broadly about […]
Art and Film: Kelly Reichardt’s eye for grace
Contributed by Jonathan Stevenson / In the 1820s, not long after Lewis and Clark blazed the Oregon Trail, Otis “Cookie” Figowitz, a white orphan from […]
Art and Film: Dimitri de Clercq’s dark idyll
Contributed by Jonathan Stevenson / Not every filmmaker can emulate Alfred Hitchcock and cue Chet Baker in a feature debut shot on a shoestring budget […]
Art and Film: Surviving the Oscars
Contributed by Jonathan Stevenson / Martin Scorsese directed what was probably the best American movie of the year — The Irishman— and it garnered not […]
Art and Film: 2019 Top Ten
Contributed by Jonathan Stevenson / It’s been a fine year for movies, their demise due to streaming having been greatly exaggerated notwithstanding awkward episodes like […]
Art and Film: Rogue plant
Contributed by Jonathan Stevenson / The political ascent of Donald Trump and others like him has produced a glut of ominous allegories, and Austrian director […]
Art and Film: Merchants of nostalgia
Contributed by Jonathan Stevenson / If bad times increase the demand for nostalgia, the current bull market is going to persist for at least another […]
Art and Film: Joker is the wrong movie
Contributed by Jonathan Stevenson / Joker, Todd Phillips’ tensely anticipated origin story of the Batman villain that grossed $96 million in its first weekend, self-consciously presents […]
Art and Film: López’s fierce children
Contributed by Jonathan Stevenson / Mike Kelley, the late conceptual artist, famously cast stuffed animals both as children’s escape hatches from worldly nastiness and as the […]













































