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Abstraction, playful Post-modernism, and provocation at the Lyman Allyn Museum
Contributed by Sharon Butler / I was born in New London, Connecticut, still known as “The Whaling City,” having trailed only New Bedford in
NYC Selected Gallery Guide, August 2026
Contributed by Sharon Butler / In August, it seems as though many gallerists and artists are anywhere but NYC. But there are stalwart exceptions like
Hudson Valley (+ Vicinity) August 2026
Contributed by Karlyn Benson / The Hudson Valley's artistic momentum shows no signs of slowing as galleries across the region open new exhibitions
Mary Jones’s risk and rigor
Contributed by Elisabeth Condon / Mary Jones pushes divergent visual modalities to – but not beyond – the breaking point in “Reservations” at
Immersion at Fugue Gallery
Contributed by Will Maddoxx / At first, Fugue Gallery’s new Chinatown space seems like an apartment gallery or DIY space: the walls are brick, the
Peter Bradley: Pleasure and provocation
Contributed by David Rhodes / In Peter Bradley’s third solo exhibition with Karma, all the paintings are from the previous 12 months, ranging in
Melora Kuhn: Refreshing myth
Contributed by Bill Arning / Museums and theaters are hard-pressed to introduce younger audiences to canonical works whose titles contain the word
Griffin and Griffin: City lights
Contributed by Jonathan Stevenson / The painter Nora Griffin, nonpareil chronicler of New York City, grew up in Noho as her father George conjured,
Where I Learned to See: On Backrooms, class, Cubism, and the church basement
Contributed by Brenda Zlamany / A few days before I saw Backrooms, I attended Julian Schnabel's In the Hand of Dante and stayed for the Q&A, with
Tracey Emin, triumphant survivor
Contributed by David Carrier / Now and again, I have second thoughts about my initial strong response in an art exhibition. That was the case, in a

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