For his new series of elegant abstract paintings, on view at Minus Space through February 25, Ken Weathersby drew from�seasoned images in old art�history books. These books feature simple layouts, often two wide columns illustrated with black and white images. Over time, the paper on which they’ve been printed has darken or yellowed. The paintings thus convey three distinct time frames: when the works in the images were actually made, when the images were captured�in the books, and when the pictures were included in Weathersby’s�paintings.
Weathersby selects images of statues and reliefs from�Greek, Roman, and other ancient cultures,�pastes�them onto�mid-sized painting supports, and then wraps�the supports�with linen-covered frames so that the images appear to be bordered�by�the surrounding material.�The abstract paintings�respond�to the shapes, colors, sight lines, and textures of the small sculptures depicted in the inset images.
Weathersby’s sublime matte surfaces�feature thinly applied paint and lightly-drawn�geometric pencil lines. The compositions are resolutely two-dimensional, like the template grids of the old text books themselves, and each painting�is titled with a number–presumably�the original plate number of the collaged image.
Weathersby seems to be reminding�the viewer that abstract paintings may seem formalist, or, to some viewers, simply decorative, but they are in fact part of a larger timeline rooted in history, politics, and philosophy. With wit and charm, he fuses his�interests in Modern graphic design, art history,�and ancient sculpture. Weathersby�makes erudition�seem easy.
“Ken Weathersby; Time After Time,” Minus Space, DUMBO, Brooklyn, NY. Through February 25, 2017.
NYC Gallery Visit: Sarah Walker and Ken Weathersby
Fervent geometry at McKenzie Fine Art