Opening this week: The Big Picture @ Sikkema Jenkins

I’m looking forward to “The Big Picture,” which opens at Sikkema Jenkins on Friday and will feature small-scale work by Robert Bordo, John Dilg, Jeronimo Elespe, Josephine Halvorson, Merlin James, Ryan McLaughlin, Ann Pibal, and David Schutter,  In the statement about the show, the gallery writes that the exhibition was organized as an antidote to the bigness that has overtaken contemporary art.

A great deal of attention is paid to the large-scale artworks that are found in museums, galleries, and many other public spaces, and if the works that can be seen at many contemporary galleries are any indication, this preference for oversized art shows little sign of abating. However, while the trend of oversized art continues, a number of painters have chosen to work in a considerably smaller scale. “The Big Picture” presents paintings by eight contemporary artists who predominately work in small or modest scale. While many artists produce small paintings within an oeuvre that includes large-scale work, the artists included in the exhibition almost exclusively paint in a more modest scale.

The artists in “The Big Picture” are drawn to small-scale works for a variety of reasons. Josephine Halvorson, for example, paints objects perceptually, on site, and often in a single sitting. The small canvas is, therefore, a practical aspect of making her work and reflects the intimacy of her encounter with an object.

Robert Bordo,DWI  2012,oil on linen, 45 x 55 inches. Image courtesy Alexander and Bonin. Photo by Joerg Lohse.
 Ann Pibal, CRMB, 2010, acrylic on aluminum panel, 12.75 x 18 inches.

As Ann Pibal observes, working in small-scale also creates a different dialogue between the viewer and the work of art. “A small painting can certainly deliver an enormously powerful image, while at the same time sidestepping assertions of the heroic, or of spectacle,” she suggests. “Small paintings intimate the domestic and the personal � they create a space the size of one viewer at a time. Because of this, it seems to me, a small painting has a better chance of delivering its image as a question or conversation � rather than an assertion of a �truth� looming-large.”

As I’ve said (many times) before, large-scale work also
demands a certain kind of athleticism or the employment of numerous
assistants–requirements that many artists have little interest in meeting.

Jeronimo Elespe, Los Afonicos, oil on aluminum, 16×10 inches
 Davis Schutter

NOTE: Images are of paintings gathered from online sources that may not in the exhibition.

The Big Picture,” Sikkema Jenkins & Co., Chelsea, New York, NY. June 8 – July 27, 2012.


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