Contributed by Mary Jones / The old joke begins, “A horse walked into a bar…” That could be one of the titles of the 15 new ceramic pieces in Noa Ironic’s lively show, “The Good Chyna,” now up at bitter.nyc. Ironic’s horse, however, would be high on ecstasy. Fantasy and desire abound as she negotiates identity, social anxiety, memory, and a little poker. “I like oversharing,” she says. Ironic’s work explores gender, and particularly masculinity, and in “The Good Chyna” she proves a prescient and empathetic observer.