Tag: Vittorio Colaizzi

Gallery shows

On Barnett Newman’s Notes

Contributed by Vittorio Colaizzi / The first plate of Barnett Newman?s Notes, a series of etchings from 1968 that are on view at Craig Starr alongside Brice Marden’s “Suicide Notes,” contains an outlandish concentration of marks in the lower left of the central column. With this plate, as with his painting Achilles (1952), it seems as if he was pushing the limit of his own format, to see how much incident he could include without, in Donald Judd?s terminology, ?weakening? the composition.