Contributed by Amanda Church / Following the fleshy path of Rubens, Lucian Freud, Joan Semmel, and Cecily Brown, among many others, Camilla Fallon has recently focused her loose, lush brushwork on the female body’s midsection, specifically the navel. “The Navel Is the Center,” her current show at The Painting Center, consists of eight medium-scale paintings and four very small ones, most providing an intimate view of this inverted body part. Under such close scrutiny, it becomes symbolic, implying vulnerability, contemplation, and introspection.
Tag: Tracey Emin
David Hockney slams Tracey Emin’s Venice Biennale paintings
Nigel Reynolds talks to Hockney about the state of British painting: “When asked what he thought about Emin�s paintings, he replied: ‘They�re OK, but you […]

















