In the San Francisco Chronicle Kenneth Baker reports that Bay Area painter John Wood has the rare knack of making small, busy abstract paintings seem […]
Tag: San Franciso Chronicle
Judith Belzer: Crawling along the bark of a tree
In the SF Chronicle, Edward Guthmann profiles Judith Belzer, whose tree-bark paintings are featured at Room For Painting Room For Paper this month. “‘A lot […]
In San Francisco: Ouadahi, Bhujbal, Soloman
“Driss Ouadahi: Another Place, Another Me,” Hosfelt Gallery, San Francisco, CA. Through Dec. 8. Drawing upon a lifelong interest in architecture, Ouadahi creates a hybrid […]
Klimt the movie
Klimt According to the press kit, director Raul Ruiz “transports us to 1918 where Gustav Klimt (John Malkovich) lies on his deathbed. We follow Klimt’s […]
Fernando Botero Abu Ghraib paintings go to UC Berkeley
Jesse Hamlin reports in the San Francisco Chronicle: “In April, the artist, who lives mostly in Paris, e-mailed Professor Harley Shaiken, director of the Center […]
Ala Ebtekar: responding to contemporary geopolitical crises
“Ala Ebtekar: Drawings on paper mounted on canvas,” Gallery Paule Anglim, San Francisco, CA. Through Sept. 1. Kenneth Baker in the San Franscisco Chronicle: “Born […]
Donald and Doris Fisher propose new SF museum for their collection of contemporary art
In the San Francisco Chronicle, Kenneth Baker reports: “San Francisco’s stature as a cultural destination and hub of new art scholarship will jump dramatically if […]
Il Lee ballpoint pen drawings at the Queens Museum
“Il Lee: Ballpoint Drawings,” curated by Joanna Kleinberg. The Queens Museum of Art, New York. Through Sept. 30, 2007. The Queens Museum of Art introduces […]
Mart�n Ram�rez drawings at the San Jose Museum of Art
Kenneth Baker in the San Francisco Chronicle: “These days, art museums frequently introduce important exhibitions with orientation materials. They seldom enlist another institution to do […]
Unrehearsed expressiveness in art
Kenneth Baker in The San Francisco Chronicle recommends The Passionate Gesture: “Hackett-Freedmaninvites us to think about whether and how we can recognize unrehearsed expressiveness in […]
