Contributed by Zach Seeger / Dennis Congdon, whose paintings depict acrid colored heaps of art garbage, once told me, “I tend to appreciate painters who work economically with what they’re given from their surroundings. You know, like my grandmother, who lived on a farm, and would whip up a meal with practically nothing in the fridge.” I too was raised to appreciate this beauty-through-austerity approach, and in light of tariffs and stagnating sales, painting with economy and valuing actual pigment may not just be in fashion but necessary. “The Big Seed,” Eric Hibit’s painting show at Morgan Lehman, is a tribute to physical pigment and the conservationist spirit, and a showcase for acute observational detail and the sheer joy of painting.