Contributed by Rebecca Allan / In “Liminal States,” Miles McEnery Gallery presented recent paintings by April Gornik, juxtaposing five of her familiar large-scaled canvases with seven much smaller paintings, depicting fragments of landscape against vast, roiling skies. Her unsettling work is based upon her observations of nature and the cosmos. Its mystery comes not from the replication of superficial appearances but rather from the fusion of precise draftsmanship and painterly rendering, which involves complex modulations in brushwork, texture, and chromatic layering.
