Contributed by Lawre Stone / The Re Institute – a dairy barn built in the 1960s that Henry Klimowicz has repurposed as rustic art gallery – seems to arise sublimely out of nowhere, exuding the freedom and wonder of the open road. Presently installed on the ground floor is “Seven Women Chase Icebergs” – paintings, drawings, and works on paper by seven women convened by Brenda Zlamany for a residency at Pouch Cove in northern Newfoundland in spring 2025 to respond to the remote landscape. The thrill of yielding to an unknown environment permeates the exhibition.
Tag: Lawre Stone
Polly Shindler’s natural reverie
Contributed by Lawre Stone / Known for painting interior spaces and domestic objects, Polly Shindler shifts her subject to the rural Hudson Valley landscape for her exhibition “Valley Music” at Deanna Evans Projects. Images of mountains, flowers, and fields hang in sequence on the walls, like a roll of snapshots taken from the car window. Shindler’s paintings do speak to the compulsion to pull over to the side of the road, take out the phone, and hope to capture the elusive, astonishing beauty of nature. Complementing the landscapes are larger, close-up paintings combining flower heads, stems, and leaves with abstract elements. Schindler’s flowers grow from the ground, with wispy stems and simplified blooms reaching for otherworldly skies. Painting in a full Crayola color array, she plumbs the sublimeness available every day.
Meg Lipke’s supple resistance
Contributed by Lawre Stone / Meg Lipke makes enormity relatable. The immense Slanting Grid welcomes visitors to her exhibition “Matrilines” at Broadway Gallery. Monumental in scale, soft in countenance, this 8 x 16-foot work of painted and stitched fiber-filled muslin rises above the viewer, floating grandly along one of the gallery’s longest walls.
Two Coats Resident Artist: Lawre Stone, October 20 – 27
Contributed by Sharon Butler / On October 20, Two Coats of Paint welcomes Lawre Stone from the countryside near Hudson, New York. She is aesthetically as well as socially concerned with ecological displacement and how species adapt, invade, and persist in landscapes reshaped by human intervention. Her paintings reveal the hidden-in-plain-sight world of botanical life.


























