Contributed by Larissa Bates / Vera Iliatova’s solo show “The Drawing Lesson,” on view at Nathalie Karg Gallery, offers cinematic montages of female artists at work in a Brooklyn studio. The nine gestural oil paintings in warm greys and buttery mauves, with skirted figures moving indoors to backlit space, mark a departure from the haunted pastoral landscapes of Iliatova’s previous exhibitions. The dappled light, painterly marks, and muted pallet of the composite narrative interiors bring to mind Susan Lichtman as well as Manet. Gritty barges, a consistent motif of Iliatova’s, chug up the East River, glimpsed through single-paned industrial windows. These and concrete floors are reminders of the post-industrial spaces carved into the Brooklyn studios where Iliatova has spent decades working. As Dudley Andrew observes in the press release, she renders the place of rendering, depicting young women as simultaneously busy and solitary.
Tag: Larissa Bates
Harold Pinter: On beginning and ending
Paco Pomet, “Storytelling,” 2008, oil on Linen, 110 x 130 cms. Larissa Bates, “Untitled (After Nicolas Poussin),” 2008, acryla gouache and ink on canvas, 8 […]
NY TImes Art in Review: Larissa Bates
In the NY Times, Karen Rosenberg wonders why Larissa Bates, whose small ink-and-gouache paintings are guys-only versions of Darger�s impish, militant Vivian Girls, wasn’t included […]
Gouache-apolooza in Chelsea
Contributed by Sharon Butler / Gouache, an expensive opaque watercolor-like paint, has been around for millennia. It dries fast, yields a sublime matte finish, and […]


















