Contributed by Jonathan Stevenson / Kelly Reichardt excels like no other filmmaker at conveying the subtle ravages of time on earth. She brilliantly tackled the epic theme of America’s western expansion in the revisionist westerns Meek’s Cutoff and First Cow and eco-terrorism in Night Moves. But it is the day-to-day yield and subtext of history and politics that most concern her: a young housewife facing down ennui in River of Grass; a friendship deteriorating with age in Old Joy; a young woman seeking a better life unprepared in Wendy and Lucy; women extracting meaning from desolation in the post-feminist Certain Women. For Reichardt, even subdued lives are fully lived and merit sympathetic attention. They include, she insists in Showing Up, the quietly precarious existences of artists. Wise, nuanced, and penetrating, the film is also stealthily hilarious.
Tag: Kelly Reichardt
Art and Film: Kelly Reichardt�s eye for grace
Contributed by Jonathan Stevenson / In the 1820s, not long after Lewis and Clark blazed the Oregon Trail, Otis �Cookie� Figowitz, a white orphan from Maryland who had been indentured to a Boston baker and is now a cook, and King-Lu, an itinerant Chinese dreamer on the run, are en […]