Contributed by Kari Adelaide Razdow / Daniel Giordano’s sculptures, some of them currently on view at MassMoCA and Visitor Center in Newburgh, NY, it is possible to decipher a deeply personal language ensconced in forms and symbols. His works defy easy classification while honoring memories that inhabit his industrially tinged studio in Newburgh, NY, once his family’s clothing factory. His freewheeling use of materials and evocative titles suggest a comprehensive embrace of sculpture as a repository of humor, narrative, and poetics, as well as a means of integration and rupture alike. There is a logic underpinning the wild combinations and ambiguous forms in his work. It resonates with echoes from the past and suggestions of the future, like a postcard from someone we have not yet met.
Tag: Kari Adelaide Razdow
Contributed by Kari Adelaide Razdow / Alex McQuilkin’s recent solo shows at de boer gallery in Los Angeles and signs and symbols project space in New York featured needlepoint works on two- to three-foot-wide industrially fabricated aluminum hoops. The pastel monochrome hoops align aesthetically with Minimalism and display quoted passages from“Sentences on Conceptual Art,” Sol Lewitt’s seminal 1967 essay in Artforum. McQuilkin embroidered lines such as “perception of ideas leads to new ideas,” “illogical judgements lead to new experience,” and “the conventions of art are altered by works of art” onto dyed Birdseye fabric, originally used for cloth diapers. Combined with the automotive enamel coating on the hoops and the hand-sewn cursive letters, these declarative statements come across as benignly didactic, like messages on bumper stickers.
Contributed by Kari Adelaide Razdow / The motif of time is deeply and deftly embedded in Christopher Knowles’s solo exhibition, STAND, at The Watermill Center…In his contemplation of time, Knowles provides a portal to pop culture from days of yore, with associations to language and sound.
Contributed by Kari Adelaide / Dana Sherwood’s exhibition “Animal Appetites and Other Encounters in Wildness,” on view at the Florence Griswold Museum, embraces domesticity and wildness, method and chaos, human and animal, the ordinary and the magic. Captured in night-vision infrared, Sherwood’s work turns on her appreciation of nature and fantasy alike and her generosity towards the fauna we live with.
Contributed by Kari Adelaide Razdow / Now on view as part of the deCordova Museum�s �Visionary New England� exhibition, Josephine Halvorson�s lyrical yet meticulous oil paintings employ no masquerade of myth. Rather, they are documentations of nature that meld history, self, and place. Her intense practice centers on painting chosen […]
Contributed by Kari Adelaide Razdow / Moths are weird and macabre. Allison Schulnik, in her animated short MOTH in �Suffering From Realness� at Mass MoCA, fully captures their gothic elegance. The moths rhythmically fan eyespots and morph into something new and magical every few seconds, conjuring a resonant line from Mary Oliver�s poem, Sleeping in the Forest: �By […]