Contributed by Kyle Hittmeier / Jennifer J. Lee’s reactivation of shelved digital images through painting established her as a pioneer in a post Post-Internet epoch super-saturated with online photographs. “Square Dance,” Lee’s third solo exhibition at Klaus von Nichtssagend Gallery, cements her standing. As many of her predecessors doubled down on digital ephemera by creating work largely within the redundancy of the digital interface, she, as part of a new generation of painters, bulwarks digital impermanence by building a sense of physicality back into the image.