Contributed by Lawre Stone / Known for painting interior spaces and domestic objects, Polly Shindler shifts her subject to the rural Hudson Valley landscape for her exhibition “Valley Music” at Deanna Evans Projects. Images of mountains, flowers, and fields hang in sequence on the walls, like a roll of snapshots taken from the car window. Shindler’s paintings do speak to the compulsion to pull over to the side of the road, take out the phone, and hope to capture the elusive, astonishing beauty of nature. Complementing the landscapes are larger, close-up paintings combining flower heads, stems, and leaves with abstract elements. Schindler’s flowers grow from the ground, with wispy stems and simplified blooms reaching for otherworldly skies. Painting in a full Crayola color array, she plumbs the sublimeness available every day.
Tag: Hilma af Klint
Patricia Fabricant: Fear of empty spaces
Contributed by Christopher Stout / Over the past 15 years, Patricia Fabricant has experimented with distinctive heroic elements within her work, some figurative and some that seem to be extracted from nature. “Horror Vacui,” her solo show at Equity Gallery, presents 26 inventively patterned gouache paintings that follow the conceptual approach the show’s title – meaning “fear of empty spaces” – suggests, filling the entire surface with detail and composition….
Will Agnes Pelton Ever Get Her Due?
Contributed by Laurie Fendrich / Pause for a moment to pity the painter Agnes Pelton (1881–1961). While she was alive, she was mostly overlooked; after […]
Hilma af Klint: A timely message from the beyond
Contributed by Emma Stolarski / At the Guggenheim, Hilma af Klint�s paintings present themselves one by one, up the spiral ramp, just as she had dreamt […]























