Contributed by Amanda Church / Marina Adams has long been exploring the range of allusions that can be conjured by various color combinations and the scale and placement of simple shapes, which press up and vibrate against each other in subtle, sexy ways. Curvy configurations, interspersed with diamonds and triangles, hint at myriad aspects of nature and the female form. In Adams’ current show “Cosmic Repair” at Timothy Taylor, variations on this trajectory continue in nine paintings, all new and acrylic on linen except Singing to the Highest Deity from 2020 hanging by itself in the back room. Influences range from Matisse to, according to the press release, “Uzbek textiles, Indigenous American Southwest pottery, and the Great Pyramids.”