Douglas Florian‘s diminutive gouache/collage paintings on paper at BravinLee programs are part of a 613 page book project called �Sefer Shel Or,” which is Hebrew […]
Award-winning NYC blogazine with a focus on painting
Monday, September 28, 2026
Recent Posts
- Contributed by Sharon Butler / Two artists I know are both showing at Brigitte Mulholland in Paris this month: Dublin-based Damien Flood, whom I knew
- Contributed by Sharon Garbe / Gathering Moss, the title of a work in Selena Kimball's exhibition “Ice-blink” at Ulterior Gallery, describes both
- Contributed by Jenny Zoe Casey / In “Kin Terrains,” nonagenarian Bascha Mon’s second exhibition at Tappeto Volante Gallery, Unfinished stands
- Contributed by Richard Klein / The ellipsis in the title of Joseph Fucigna’s current show “In Process …” at G-Town Arts signifies a story
- Contributed by Jonathan Stevenson / The Aldrich Contemporary Art Museum’s decennial exhibition “I am what is around me,” devoted to
- Contributed by Adam Simon / At one time I would have said the paintings of Lindsay Walt fell within the domain of Minimalism. It’s clear from her
- Contributed by Bill Arning / An effusively punky-queer sensibility infuses all 14 ceramic objects populating Luka Carter’s first show at Fireplace
- Contributed by Jacob Cartwright / This is Roy Dowell’s fourth solo exhibition at Miles McEnery Gallery since 2020, so it’s not arriving out of
- Contributed by Ben Godward / Mark Greenwold, the painter, once told me, "The best art is dumb." He said that I always understood that. I took it
- Contributed by Jonathan Stevenson / Chicago-based Em Davenport is a Gen-Z-er, still in her twenties, yet her solo show “love,” held over at
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