Award-winning blogazine, primarily about painting
Sunday, September 24, 2023
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Arthouse Art House
Contributed by Jonathan Stevenson / The set-up of Vasilis Katsoupis’ slickly but somewhat facilely resonant... -
Short story: Rescue Center [Elizabeth Scheer]
Contributed by Elizabeth Scheer / I first discovered the Rescue Center while walking idly on... -
Confrontational color at Analog Diary
Contributed by Clare Gemima / Analog Diary’s group exhibition “Chromazones” – curated by Derek Eller,... -
Jo Baer: Space, position, and light
Contributed by David Carrier / Five smallish early Jo Baer paintings are on display in... -
Ed Ruscha’s retro spective
Contributed by Laurie Fendrich / The work of the Los Angeles artist Ed Ruscha is... -
Studio visit: Charles Clough’s audacious return to sculpture
Contributed by Jack Edson / A trip to Charles Clough’s studio, situated with his gallery... -
Part 2: On “negative criticism”
Contributed by Jonathan Stevenson / It’s tempting to lament the demise of the takedown review.... -
Hudson Valley Selected Gallery Guide: September, 2023
Don't miss the last few days to see "The Summer Disaster Show," a big group... -
The real deal: James Brooks reconsidered
Contributed by Laurie Fendrich / “A Painting is a Real Thing,” the Parrish Museum’s current... -
Selected Paintings from SPRING/BREAK NYC 2023
Contributed by Fay Sanders and Bob Szyantyr / In a shift befitting this year’s theme,... -
On “negative criticism”
Contributed by Sharon Butler / Sean Tatol, the art critic who writes a snarky website... -
NYC Selected Gallery Guide: September, 2023
Contributed by Sharon Butler / Here are a few shows that stand out this month:...
Two Coats Obituaries
- Bushwick’s Tim Gowan August 12, 2023Even though making art is often an experience that happens in the solitude of one's studio, it rarely occurs in a vacuum. Artists rely on each other for support, reinforcement, inspiration, and challenge, forming communities to avoid feeling like fish out of water in this world. Tim Gowan was one of those artists who cherished […]
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Snapshot: Overlooking the Central Baltic Sea from @fotografiska.stockholm. We saw the @shirin__neshat and @therealpeterlindbergh shows — strange combo, but both moving in their own way. The place is dark and loud — more like a nightclub than a gallery. The bar on the top floor is beautiful.
Latest post, link in profile / Inside: Arthouse art house / Contributed by Jonathan Stevenson / The set-up of Vasilis Katsoupis’ slickly but somewhat facilely resonant feature debut Inside is deceptively simple. A high-end art thief is helicoptered onto the roof of a luxury Manhattan high-rise and, with the aid of a techie accomplice, hacks into the security system of an absurdly opulent penthouse, owned by a high-end art collector who is evidently away for a season or two. The thief is targeting several of Egon Schiele’s signature vampy drawings and a singularly valuable self-portrait. Link in profile
@insidethefilm #insidethefilm #jonathanstevenson #twocoatsofpaint #filmreview #wilemdafoe #VasilisKatsoupis
Surprise: #PatriciaTreib solo on view in Stockholm @galerie_nordenhake 💥 beautiful paintings, elegantly installed ❤️
Swedish-born and UK-based, artist, activist, writer and eco-feminist Monica Sjöö (31 December 1938 - 8 August 2005) fought for freedom from oppression, but especially for women’s rights. “THE GREAT COSMIC MOTHER” @modernamuseet is her first retrospective. Swipe for the image that was considered blasphemous and obscene in the 1970s.
Rejecting abstract art as a Western male privilege, she asked: “How does one communicate women’s strength, struggle, rising up from oppression, blood, childbirth, sexuality – in stripes and triangles?”
#MonicaSjöö #cosmicmother #modernamuseet #stockholm
In the studio of Prince Eugen Napoleon Nicolaus of Sweden and Norway, Duke of Närke (1 August 1865 – 17 August 1947) was a Swedish painter, art collector, and patron of artists. Swipe through for a wide angle of his attic studio. Yes, it has a water view :) #stockholmartist #Waldemarsudde #Djurgården #princeeugen #landscapepainting
Save the date: Two Coats of Paint is hosting our first Hudson Valley Gallery Crawl on Oct 14 and 15. 💥 To kick off the weekend, we`re organizing a live conversation on the evening of Friday, October 13, moderated by Two Coats of Paint publisher @sharon_butler / Details to come ✍️
Participating galleries include:
Analog Diary
Art Sales & Research
Artport Kingston
Buster Levi
Collar Works
D’Arcy Simpson Art Works
Susan Eley Fine Art
Elijah Wheat Showroom
Front Room Gallery
Galerie Gris
Garage Gallery
Garrison Art Center
Geary
Joyce Goldstein Gallery
Alexander Gray Associates
Carrie Haddad Gallery
Headstone Gallery
Hudson Hall
LABspace
Lightforms Art Center
Lockwood Gallery
Mother Gallery
Opalka Gallery
Private Public Gallery
The Re Institute
SEPTEMBER
Pamela Salisbury Gallery
Turley Gallery
Visitor Center
Woodstock Artists Association & Museum
@analogdiary.art @artsalesandresearch @artportkingston @busterlevi_gallery @collarworks @darcysimpsonartworks @sefa_gallery @elijah_wheat_showroom @frontroomnyc @galerie_gris @garagegallerybeacon @garrisonartcenter @gearycontemporary @joycegoldsteingallery @alexandergrayassociates @carriehaddadgallery @headstonegalleryny @hudsonhallny @labspace_art @lightforms_art_center @thelockwoodgallery1 @mothergallery @opalka_gallery @privatepublicgalleryhudson @the_re_instititute @septembergallery @pamelasalisburyhudson @turleygallery @visitorcenterspace @waamart
Look for more info both here and on www.twocoatsofpaint (link in profile)
See you there 😎 🍻
Latest post, link in profile / Ed Ruscha’s retro spective / Contributed by Laurie Fendrich / The work of the Los Angeles artist Ed Ruscha is often referred to as a West Coast version of Pop Art. The implication, of course, is that since it didn’t come out of New York, it must be inferior. His retrospective “Now Then,” his first at the Museum of Modern Art and first in New York since 1983, contains over 200 works from 1958 to the present…. Despite its outward similarity to conceptual art and New York Pop Art, Ruscha’s work feels decidedly different. Link in profile
Image: Ed Ruscha, The Los Angeles County Museum on Fire, 1965-68, oil on canvas, 135.89 x 339.09 cm
@edruschaofficial @themuseumofmodernart @lauriefendrich #edruscha #moma #lauriefendrich
