Contributed by Ben Godward / Choong Sup Lim says that he doesn’t paint his sculptures but rather finds the color in the city. This might be the most important aspect of his show “Yard” (Madang) at Shin Gallery. Color as form – in this case, linen and detritus from the city – yields a pallet of neutrals. Linen, the substrate of painting with a capital P, takes a star turn here. Much of the show consists of raw linen, and it is as important in the sculptures as it is in the paintings.