Tag: Gyan Shrosbree

Open Studios Resident Artist

Two Coats Resident Artist Gyan Shrosbree, May 5 – 10

Contributed by Sharon Butler / In May, Two Coats of Paint welcomes the return of Gyan Shrosbree from Fairfield, Iowa. Gyan, who had residencies in 2016 and 2017, makes clothing that she combines with twentieth-century modernist painting in an idiosyncratic and inventive practice that includes collaborative activities like sewing with her mother and staging exhibitions in the form of fashion shows. The closet, she declares, is her field of possibility. For Shrosbree, clothing is both practical and symbolic. It protects our bodies from the environment while projecting something about our inner life. It’s this duality that gives her bold paintings their emotional charge. 

Group Shows

The enduring elasticity of painting

Contributed by Sharon Butler / After a lengthy stretch during which emerging painters have leaned into commercial preferences for the traditional, many seem to be breaking free from the market’s emphasis on imagery and narrative. Painters with a penchant for experimental, near three-dimensional approaches have bounced back into the conversation they commanded in the early 2010s. Three current exhibitions, all curated by artists, reflect various aspects of this phenomenon.

Solo Shows

Gyan Shrosbree: Fluorescent beauty and the feminine gaze

Contributed by Rob Samartino / Gyan Shrosbree’s first solo show at Ortega y Gasset Projects in Gowanus, “The Dress / What Touches the Floor,” is a radical vision of a conquering race of women. These larger-than-life chromatic experiments loosely adhere to the female-identifying body and have a confrontational aspect, as if approaching a mirror to affirm a kind of armored readiness for the world. Spawned and respawned, the women in these paintings at once blend into and stand out from a generative matrix made for, by, and of them.