Painters Ezra Johnson and Matt Bollinger work across painting and handcrafted animation, and both are drawn to the textures of everyday American life — houses, haircuts, the quiet weight of ordinary moments. Two Coats of Paint invited the two to have a conversation on the occasion of their 2026 exhibitions: Johnson’s “Home and Garden Show” at Freight + Volume in New York, and Bollinger’s “Dawn” at mother’s tankstation in Dublin. The two artists speak here as peers, moving between close readings of each other’s work and reflections on their own practices. They discuss the relationship between painting and animation, the question of when a painting is “done,” and how handmade roughness can carry more truth than technical finish.
Tag: William Kentridge
Philemona Williamson’s threshold states
Contributed by Riad Miah / Philemona Williamson’s paintings delve deeply into the concept of arrested development. For her, the term signifies a profound state of emotional or psychological stagnation, often linked to unresolved childhood issues. Yet her overall vision is expansive and not unhopeful. In her current exhibition of 15 large and small oil-on-canvas works at June Kelly Gallery, complex narratives inform her paintings and affect the very process of their creation while remaining purposefully unarticulated.
Kentridge print show in Williamstown
William Kentridge works in the tradition of socially and politically engaged artists such as William Hogarth, Francisco Goya, Honore Daumier, and Kathe Kollwitz . He’s […]
Kentridge-fest at the University of Brighton
“William Kentridge: Fragile Identities,” University of Brighton, Brighton, England. Through Dec. 31. University of Brighton presents William Kentridge’s new work on paper, installations and films, […]





















