Contributed by Shirley Irons / In a dream, I asked Alex Kwartler if his work was about the unreliability of images. God no, he yelled. “Off-Peak,” his current show at Magenta Plains, presents modestly scaled paintings that read across the room like music, with beats and rests, highs and lows. Their subjects include tender representation, stark pop, painterly abstraction, tin can lids, dots, drains, and shipwrecks. They echo and repeat. Their consistency lies in his assured, skillful paint handling. When you can do anything with paint, why not just do it?
Tag: Shirley Irons
Suzanne Joelson: Collecting information into sensation
Contributed by Leslie Wayne / For as long as I’ve known Suzanne Joelson – over 40 years now – she has pushed the limits of painting, much as I have tried to do. In what is now an abundantly expanded field, though, I have wondered whether we have much to push against anymore, which makes the endeavor all the more challenging.
Barbara Friedman’s exquisite grotesquery
Contributed by Adam Simon / The modus operandi behind much of Barbara Friedman’s work, including her current exhibition “All Rude and Lumpy Matter” at Frosch & Co., has a name, pareidolia, which refers to finding images within abstraction. Think of the age-old pastime of finding faces in clouds.




















