In 2011, seeing a relationship to the casualist tendency in contemporary art, I posted about Claude Viallat’s work and the inventive art movement known as […]
Tag: painting objects
The Casualist tendency
This essay, which builds upon an essay about contemporary abstract painting that I wrote for The Brooklyn Rail in 2011, was just published in the […]
Questions for Casualists
Contributed by Sharon Butler / This weekend at Hyperallergic Thomas Micchelli reviews Dying on Stage: New Painting in New York, the Garis & Hahn […]
VIDEO: Molly Zuckerman-Hartung discusses her deconstructed paintings
In the short video (below) from the Walker Art Center Video Channel, Molly Zuckerman-Hartung discusses her relationship to painting in the exhibition Painter Painter. �I […]
Painting? Painting?
Contributed by Sharon Butler / At the Walker Art Center in Minneapolis, curators Eric Crosby and Bartholomew Ryan have organized “Painter Painter,” an exhibition comprising work by fifteen artists, some of whom are working with painting materials in ways that are often labeled “painting” but may be more firmly rooted in Minimalism and Process Art than with the formidable history of painting and abstraction. Considering the work presented in this show as well as the work selected for the deCordova Museum’s “Paint Things,” perhaps we aren’t experiencing an expansion of painting as the curators have proposed, but rather a return to handmade sculptural objects…that sometimes have paint on them or are hung on the wall.
The donut muffin: Uniting two worlds
For Tamara Gonzales and Jessica Duffett, curators of “Donut Muffin,” a lively group show on view at Dorsky Gallery Curatorial Projects through March 10, a […]
Medium unspecificity prevails
At the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, curators Dina Deitsch and Evan Garza have organized “PAINT THINGS: beyond the stretcher,” an exuberant exhibition that focuses on work merging painting, sculptural form, video, performance, and installation strategies. The curators selected artists who are exploring materiality, context and space–physical, social, political, or emotional. I wish Clement Greenberg, the art critic who championed color and
flatness in the 1940s, could see the show. I wonder why painters were so intrigued with Greenberg’s notion of medium specificity back in the day?
Claude Viallat: Exploring Casualist abstraction in 1960s France
I recently stumbled upon old work by Claude Viallat, which strikes me as a precursor to the Casualist aesthetic. Born in Nimes, France in 1936, […]
Cordy Ryman’s itchy tactility and openendedness
Cordy Ryman, “Dudley!” 2010, acrylic & enamel on wood, 19 x 17 x 1 inches Cordy Ryman, “Waiting for Christopher,” 2010, acrylic & enamel on […]
The French connection at Cheim & Read
Louise Fishman, “Violets For My Furs,” 2010, oil on jute, 50 x 42″ Jean Paul Riopelle (1923-2002), “Untitled,” circa 1967, oil on canvas, 10 1/2 […]
Mattera looks at shaped canvas: Pousette-Dart and Gorchov
Joanna Pousette-Dart’s show at Moti Hasson is down, but Joanne Mattera Art Blog has recently uploaded some pretty good images. “Pousette-Dart makes paintings that are […]
Ron Gorchov: Fields of color floating
Harry Swartz-Turfle of Daily Gusto reports on Ron Gorchov’s lecture at the Studio School. “Speaking at the NY Studio School last night, artist Ron Gorchov […]


























