St. Louis Post-Dispatch art critic David Bonetti has just finished reading Seven Days in the Art World, and he isn’t happy. “Rodney Dangerfield ain�t got nothin on me. I�m a loser, baby, so why don�t you kill me. At least that�s what The New Yorker�s art critic Peter Schjeldahl implies. […]
Tag: David Bonetti
St Louis: Max Cole and Eva Lundsager
In the St. Louis Post-Dispatch, art critic David Bonetti picks a couple of abstract shows in St. Louis. “Max Cole is a nonobjective painter; her work is determined by the components of its making: the linen surface, the acrylic medium, the pigment restricted to tones of black and white. The […]
Louis Cameron in St. Louis
In the St. Louis Post-Dispatch, David Bonetti writes that initially he thought Louis Cameron’s paintings were in league with the hard-edged geometric abstraction of Mondrian, Ellsworth Kelly, and Burgoyne Diller, but then realized his approach is more conceptual. “The works from his recent ‘Tiles’ series are composed of rectangles of […]
Strode in St. Louis
“Thaddeus Strode: Absolutes and Nothings,” curated by Sabine Eckmann and Meredith Malone. Mildred Lane Kemper Art Museum, Washington University, St. Louis, MO. Through April 21. Strode’s first major museum show, the exhibition includes two dozen mixed-media paintings that conflate California surf and skateboard culture, Zen philosophy, rock music, literature, film, […]
