Contributed by Barbara A. MacAdam / In his solo show “Shiner” at Peter Freeman, Inc., Charles LeDray continues to frolic in his own past, fixing memories and cultural landmarks in tightly condensed, shrunken garments sewn up and assembled into sculptures, and in self-constructed objects turned on a potter’s wheel. He thus creates a home in which he is master and exercises total control over how the artifacts of his life are perceived. He draws our attention to miniscule objects, thereby empowering them. Welcome, then, to a Lilliputian jamboree, in which little people are at once quarries and intriguers.