Contributed by Sharon Butler / In 2012, artist, writer, and curator Brian Edmonds founded Curating Contemporary, an online exhibition space that, since its inception, has hosted over fifty exhibitions. Then, in 2019, Edmonds took his project to print, and began publishing Eraser, a biannual book featuring the work of contemporary artists and writers. This year he has organized an exhibition called “Eraser” at Ground Floor Contemporary, in Birmingham, Alabama, that brings together some of the artists who have been featured in his publications. I’m pleased to be included in the fourth Eraser book and also to have two paintings in the show, alongside work by a great group of artists: Matt Kleberg, Jered Sprecher, Jason Stopa, Sean Sullivan, Vadis Turner, Cecilia Vissers, Don Voisine, and Thornton Willis.
Contributed by Sharon Butler / In New York City, during the lockdown of 2020, my neighbors disappeared. Some left town, others stayed in their apartments for weeks on end. Home Sweet, a group show on view at Frosch & Co through January 16, conjures those early pandemic days, when many of us made modest home-bound work that ruminated on our diminished circumstances and involuntary domesticity.
Contributed by Carol Diamond / Now on display at The Painting Center, the group exhibition titled The Body in Question, a phrase cheekily resonant of a coroners report, explores the body as a vessel for communicating experience through painting. Curators Ophir Agassi and Karen Wilkin have adroitly presented a diverse group of ten distinguished contemporary painters connected by their focus on the human figure.
Contributed by Jonathan Stevenson / Lockdown called for the safety and comfort of an inner sanctum, but that of course produced the urge for unmediated exposure to nature. In curating Nice to See You Again, now up at Underdonk in Bushwick, Leonora Loeb and Keisha Prioleau-Martin set about finding art that captured that virtuous tension. They have succeeded, presenting varied but thematically harmonious work by ten artists, each of them in some way conveying the hibernation and re-emergence implied in the exhibitions amiable but also multivalent title.
Line: Chance drips, hesitant brushstrokes, calligraphic gestures, notional timelines, yarn, and builders caulk
Contributed by Sharon Butler / “Walk the Line” at Platform Project Space in DUMBO presents a variety of line, from chance drips, hesitant brushstrokes, spontaneous calligraphic gestures, and notional timelines to more calculated applications of knotted yarn and extruded builders caulk.
Contributed by Sharon Butler / During a quick tour of Vermont, I discovered Benjamin Ward’s new gallery Stella Quarta Decima, or SQD, on Main Street in Manchester. The gallery will feature artists, primarily from Vermont, who work outside the confines of the commercial art market.
Contributed by Jacob Patrick Brooks / As you walk into Honoring the Dog-Legging Horizon at Spencer Brownstone Gallery, something feels off. The sense is vague at first, but it becomes clearer as you alternate between hunching in close or backing up more than usual. The show is hung low, by about a foot, to encourage sitting down, and the work is well worth taking in fully.
Contributed by Robin Hill / Our personal narratives are inextricably entwined with what the philosopher Gaston Bachelard refers to as The Poetics of Space. His work contemplates the spaciousness of consciousness one experiences in relation to architectural space, real or imagined, and the indispensability of shelter to life. Without shelter, we […]
Contributed by Laurie Fendrich / To walk into an open art gallery during this COVID-caused gloaming of the art world is perhaps to catch a glimpse of dawn. That�s what it felt like to me, anyway, when a couple of weeks ago I visited the not-for-profit Five Points Gallery at […]
Contributed by Jason Andrew / It seems only fitting that University at Buffalo, an institution built on the reputation of one of the great female art dealers of the 20th century, Martha Jackson, would be the one to raise the bar that much higher when it comes to �women�s work.� […]