Contributed by Lucas Moran / In times of great political upheaval and unrest, art has held us and guided us towards compassion. Picasso’s Guernica set the most titanic example of this in 1937. As we slide closer to authoritarianism and watch the world grow less familiar, artists continue the noble task of showing us how to live through it. Sasha Gordon set a tone in her recent show at Zwirner, depicting herself sitting on a lawn clipping her nails while the world – seemingly all we know – erupted in a mushroom cloud behind her. Less sardonic but in a similar warp are Alexis Rockman’s melting icecaps and Richard Mosse’s documentation of Amazonian deforestation. “Towards the Sun,” Heather Drayzen’s compelling solo show at My Pet Ram, feels just as urgent. The question she asks, though, isn’t What’s happening to us? but rather, What still matters?
Tag: Heather Drayzen
Jan Dickey: Both sides now
Contributed by Heather Drayzen / “Passing Through,” the title of Jan Dickey’s solo exhibition at D.D.D.D., can be read literally and symbolically. Several jewel-like paintings are mounted on the wall with a golden hinge in an oil-slick finish allowing the viewer to pass through to the other side and glimpse into the inner guts, the vein-like physicality, of the abstract earth-like paintings. In a self-penned exhibition statement, Dickey refers to their surfaces as “swirling colors of mountain mud,” and they soulfully conjure the juicy texture of our own existence, where everything is in flux and the physical and incorporeal blend together.
As long as you want, at My Pet Ram
Contributed by Jenny Zoe Casey / The two-person exhibition “as long as you want,” featuring work by Julia Blume and Heather Drayzen, on view at My Pet Ram on the Lower East Side, is perceptively based on the referenced fragment of poetry written by Sappho over two-and-a-half millennia ago as a reminder of love, endurance and adaptation, and complemented by a slyly kindred show of drawings. Work by Joshua Drayzen is also on view.



















