Tag: Nicolas Poussin

Solo Shows

Alessandro Twombly: Strikingly original, richly allusive

Contributed by David Carrier / Alessandro Twombly’s twelve large new paintings, now on view at Amanita Gallery, all employ one basic, immensely fruitful motif: knots of color resembling enlarged floral forms, depicted in high-pitched, gesturally painted oranges, pinks, reds, and blacks on bright turquoise backgrounds. An artist friend nicknamed these pictures ‘Tiepolo in the Sky,” which accurately describes them. Twombly’s abstract images look like drastically enlarged figures you might find in a work by the eighteenth-century Italian painter Giovanni Battista Tiepolo. They are strikingly original yet richly allusive. 

Solo Shows

Jennifer Coates: Edgy indeed

Contributed by Jonathan Stevenson / Several notable painters – Julie Heffernan, Jules de Balincourt, and Alexis Rockman, among them – have seized on the perils of climate change. In Jennifer Coates’s new solo show “Edge Effects,” jointly mounted at Chart Gallery and High Noon Gallery, she drills deeply into the subject and emerges with work that dazzles to engage, and vice-versa. The show’s title is an ecological term for what happens when one habitat impinges on another, which climate change is accelerating and amplifying. The phenomenon implies crowding, ergo potential conflict and trouble, and Coates’s canvases are appropriately busy and calculatedly unnerving. Bacchanal, a large painting, depicts the jangled co-location of lush plant life, bemused animals, and humans naked but often distressed. No doubt intentionally, it’s a far cry from Nicolas Poussin’s eponymous seventeenth-century study ingenuously celebrating sensuality. For Coates, the title sharply intimates collective hedonism gone awry. Touché.