Contributed by David Carrier / Born in Japan, Maki Na Kamura was trained in Germany, where she now lives and works. In that light, it’s not too surprising that she describes her work as “Caspar David Friedrich plus Hokusai minus Romanticism minus Japonisme.” Identifying herself as both a traditional painter and a contemporary artist, she notes that she might, on the same canvas, use both tempera and oil paint– two materials traditionally used separately. Her paintings and charcoal-on-paper drawings are poised between figuration and abstraction. The paintings are often centered on figures, but it’s not usually clear what’s happening in the work on view at Michael Werner. It may be hard to tell just what we are looking at, but it is obvious that her central concern is visual pleasure.
Tag: Michael Werner
Issy Wood’s dark mirror
Contributed by Margaret McCann / Issy Wood’s paintings in “Time Sensitive” at Michael Werner gallery render transient facets of our daily simulacrum timeless. As though passed through a vintage filter, they seem to recall a. Claude glass, an 18th c pocket-sized, toned mirror that could turn any scrappy piece of wilderness into “a vision of painterly charm: framed and set apart from the rest of the landscape, color palette simplified, bathed in gentle, hazy light.” Aided by a new picturesque aesthetic that combined “the sweetness of the beautiful, cut with some of the sublime’s majestic terror,” ramblers who couldn’t afford the Grand Tour found beauty in local scenery with this handy device. Today one need not even venture outdoors to see anything new. Overstimulation awaits on a quick screen scroll, shifting from monuments to corrective braces to kittens to a Ukrainian battlefield in seconds. Woods slows this high-low flow, turning incongruous images fished from the cyber-stream into often amusing visual meditations with surprising emotional depth.
Sigmar Polke sees the light
In Time Out New York Howard Halle reports that Sigmar Polke’s “Lens Paintings” are further testament, if any is needed, to the power of an […]
Last chance: Greg Lindquist on Peter Doig
In The Brooklyn Rail, Greg Lindquist looks at Peter Doig’s new large-scale paintings, which are up until tomorrow at Gavin Brown and Michael Werner. “While […]
Per Kirkeby at Michael Werner
“Per Kirkeby: New Paintings,” Michael Werner, New York, NY. Through Jan. 19. Per Kirkeby is interested in relationships: between nature and architecture, matter and light, […]


















