Contributed by Margaret McCann / Issy Wood’s paintings in “Time Sensitive” at Michael Werner gallery render transient facets of our daily simulacrum timeless. As though passed through a vintage filter, they seem to recall a. Claude glass, an 18th c pocket-sized, toned mirror that could turn any scrappy piece of wilderness into “a vision of painterly charm: framed and set apart from the rest of the landscape, color palette simplified, bathed in gentle, hazy light.” Aided by a new picturesque aesthetic that combined “the sweetness of the beautiful, cut with some of the sublime’s majestic terror,” ramblers who couldn’t afford the Grand Tour found beauty in local scenery with this handy device. Today one need not even venture outdoors to see anything new. Overstimulation awaits on a quick screen scroll, shifting from monuments to corrective braces to kittens to a Ukrainian battlefield in seconds. Woods slows this high-low flow, turning incongruous images fished from the cyber-stream into often amusing visual meditations with surprising emotional depth.
Tag: Michael Werner
In Time Out New York Howard Halle reports that Sigmar Polke’s “Lens Paintings” are further testament, if any is needed, to the power of an artist’s “late” style.” This is the first show of new works in New York by Polke in 11 years, and in it, the German artist […]
In The Brooklyn Rail, Greg Lindquist looks at Peter Doig’s new large-scale paintings, which are up until tomorrow at Gavin Brown and Michael Werner. “While Doig�s current work reflects his recent relocation to Trinidad and the unaccustomed imagery this has inspired, the paintings lack material presence. The canvases in these […]
“Per Kirkeby: New Paintings,” Michael Werner, New York, NY. Through Jan. 19. Per Kirkeby is interested in relationships: between nature and architecture, matter and light, abstraction and metaphysics. In this exhibition of 10, 3 x 4 foot, paintings, all made in the last two years, he continues the exploration. In […]