Contributed by Jonathan Stevenson / Rob de Oude’s exquisitely painted geometric abstractions, on display at McKenzie Fine Art on the Lower East Side, at once resist and invite scrutiny. Though wholly handmade, they are all composed of small squares that appear so perfect, calmingly symmetrical, and plain beautiful as to discourage a closer look: there’s nothing more to see here, and what you see is fine enough. But his patterns – both over the expanse of the canvas and within each rectangle – are so intricate and their variations so subtle that a hard look turns out to be compulsory and in fact rewarding.