Contributed by Joe Fyfe / A large souvenir brochure accompanied Leonard Cohen’s “I’m Your Man” tour in the late 1980s. It included, among an assortment of photographs of him and reproductions of his sketches, a thousand-word essay titled “How To Speak Poetry” that has had a second life on the internet. In this singular artistic manifesto, Cohen admonishes singers that they are “among the people. Then be modest. Speak the words, convey the data, step aside.” On the next page, he tells them to “think of the words as science, not as art. They are a report.” If an audience appreciates the event, “it will be in the data and the quiet organization of your presence.” Su-Mei Tse’s current exhibition at Peter Blum Gallery seems to freshly embody Cohen’s abiding concern with presentation and how an artist must address an audience.
Tag: Leonard Cohen
Artist’s notebook: Nate Ethier
On the occasion of “Heavy Light,” Nate Ethier’s second solo show at David Richard Gallery, Two Coats of Paint invited him to share ten ideas and influences that inform his complex, pulsating abstractions. He is keenly interested in kinetic motion, precision, and repetition, and credits Agnes Martin for the sense of happiness and innocence that suffuses his paintings. Most importantly, he reveals a penchant for close looking: “You can learn a great deal about light and color from a slow walk in the woods.” The show includes twelve stunning paintings and is on view through June 27.


















