Contributed by Jason Andrew / Susan Rothenberg’s exhibition “The Weather,” now up at Hauser & Wirth, is a rare chance to experience the breadth and intensity of one of most vital influences in American painting. The exhibition gathers fourteen works from across her career – horses, fragmented bodies, and spectral forms – some rarely or never before exhibited. Rothenberg told the LA Times in 1983 that she liked to think of the subjects in her paintings as being “swept along in unconfined space by forces of weather” – rendered in thermal swirls and blizzardy brush marks – and the exhibition is structured around this idea.
Tag: Susan Rothenberg
Susan Rothenberg: Hope and discontent
Contributed by Sharon Butler / Susan Rothenberg’s invariably forceful and confident paintings have a beguiling twitchiness, created out of layers of agitated brushwork from a restless hand. In her latest solo at Sperone Westwater, she continues to embrace a non-serial approach, presenting paintings and drawings of various objects and animals she encounters in everyday life. Two of the paintings, Stone Angel and Buddha Monk, appear to be images of inanimate objects, although painted quite differently from each other.
Louise Fishman: Ignoring aesthetic wanderlust
Contributed by Sharon Butler / In the May issue of The Brooklyn Rail I take a look at Louise Fishman’s recent show at Cheim & Read. When I saw the show, I had the same feeling I had at Susan Rothenberg’s recent show and had to write about it. Here’s an excerpt from the review.
Charlie Finch on Yusavage and Rothenberg: The not-so-innocent girl child vs. the older woman who has actually lived
At artnet Charlie Finch compares new work by Lisa Yuskavage and Susan Rothenberg. “Echoing Inka Essenhigh‘s controversial use of unicorns and other fantasias in her […]


















