Contributed by Lucas Moran / Maybe death isn’t final but simply a door leading into another room. That feeling ran through “Often I am Permitted to Return to a Meadow,” an excellent group show at Active Space in Bushwick curated by Patrick Bower and Robert Zurer of Immaterial Projects. It tapped into whatever lies just beyond perception: the subconscious, the occult, the spirits, the talismans, the circus freaks. Everything half-seen or half-remembered was allowed to take shape. If contemporary painting has drifted away from figuration and identity, this show suggested we may be heading towards something more concealed – art that conjures rather than describes, call it hiddenist painting, embracing what is buried, invisible, or occulted, where death, memory, and imagination loop into one.
Tag: Marlene Dumas
Measuring Marlene Dumas
Roberta Smith on Marlene Dumas: “The consistency of this show suggests an artist who settled too early into a style that needs further development. Stasis […]
“Defiant sex suddenly mingles with mortality”
Christopher Knight’s review steps lightly describing many of the paintings in Marlene Dumas’ s show at the LA Museum of Modern Art. Does he like […]
Marlene Dumas: Contented Bohemian
In the NY Times Magazine Deborah Soloman profiles Marlene Dumas. “‘I never learned to ride a bicycle, and it is too late now,’ Dumas told […]
Marlene Dumas receives �55,000 D�sseldorf art prize
Jennifer Allen reports in ArtForumt: “Painter Marlene Dumas has won Germany’s prestigious D�sseldorf art prize, worth �55,000 ($74,875). As the APA and DPA report, the […]

















