Award-winning blogazine, primarily about painting
Sunday, May 12, 2024
Contributed by David Rhodes / Matthew Marks’s current exhibition of Martin Barré’s paintings coincides with New York exhibitions of two other French painters: Alix Le Méléder at Zürcher Gallery and Simon Hantaï at Timothy Taylor Gallery. Together these shows furnish a good moment to consider the range and achievement of French postwar abstraction.
Contributed by Adam Simon / One could be forgiven for mistaking the paintings of David Rhodes at High Noon Gallery for samples of high-end décor, with black fabric punctuated by parallel diagonal stripes stretched over variously sized frames. Whether or not Rhodes anticipates that his work might elicit this response, for me it provided a hurdle, a momentary deflection, suspending my usual mode of engaging with art. I’m glad I had this moment of puzzlement, wondering what in fact I was looking at, before the significance of Rhodes’ achievement sank in.
Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023. His first exhibition was in 1966 at the Bykert Gallery, located on East 81st Street, only a few blocks northeast of his current exhibition at Gagosian. A long life, years in the studio, immeasurable time spent with other artists’ work, travel, and an abundance of courage led to the paintings he made at the end of his life.
Contributed by Sharon Butler / I met David Rhodes (b. 1955, Manchester, UK) in a Greenwich Village loft where his black and white paintings, both large and small, leaned against walls and were propped on all bookshelves and tabletops. The three largest were about to be packed up and sent […]
