Tag: Jane Swavely

Solo Shows

Jane Swavely and the Bowery tradition

Contributed by Michael Brennan / Magenta Plains is located on the Bowery, just as it breaks left onto Canal Street, in Chinatown. Upon entering, viewers are immediately greeted by a washy terre verte Jane Swavely painting, OID #3 Green, hanging above the desk. It sets an organic tone and is indicative of the half-dozen paintings to follow, hanging in the first-floor main gallery. Swavely’s seven canvases are all vertical, and are mostly diptychs, internalized or externalized. They are loosely painted with a 2- to 2 ½-inch flat brush, heavy on the solvent, with some wiping away by hand. Much color mixing happens directly on the surface. Swavely favors flared, phosphorescent hues. She cleverly manipulates paint with rags to create the illusion of light emitting from the ground. Her work glows, appearing backlit.

Solo Shows

Jane Swavely: Admiration for the jungle

Contributed by Mira Dayal / There is a sense of unease in the series of paintings that comprise of “Espial,” Jane Swavely’s latest show at A.I.R. Gallery. I enter the space — not of the gallery, but of the painting itself. Hovering just inches above the ground, the edges of the canvas become the frame of a doorway, beyond which thick brush conceals a dark forest. But the tall grass of Werner’s Painting (2015) is not entirely still; as Werner Herzog himself says of the jungle, in Burden of Dreams (1982), “There is no harmony in the universe. We have to get acquainted to this idea that there is no real harmony, as we have conceived it. But when I say this, I say this all full of admiration for the jungle.”