Contributed by Lucas Moran / Making sense of art is not easy. You can’t pin down meaning when it keeps moving. Darren Bader’s new show “Youth,” now on view at Matthew Brown Gallery, vividly illustrates the point. Bader has been called a prankster and an absurdist, elevating the ridiculous into high art. His earlier projects included injecting lasagna with heroin, stuffing a brass instrument with shrimp, and giving away live kittens. He provides bits of text that hint at deeper meaning while refusing to settle into it. Filling a gallery with art that plays conceptual games with history and humor and still looks good is no easy trick. But Bader pulls it off.
Tag: Dieter Roth
Jan Dickey: The art of breakdown
Contributed by Lucas Moran / In art, limitations often define, shape, and mold strengths. We can embrace drawbacks and spin them into gold. An impoverished de Kooning, living off ketchup packets and free coffee, turned to house paint to create some of his most compelling work. A bedridden Matisse cut paper. Scarcity, oppression, impairment – these forces have shaped the course of art history. Rather than relying on convention, Jan Dickey – investigator, tinkerer, and forager as well as painter – has immersed himself in studying how things break down, bond, and hold together. “The High Collapse,” now on view at 5-50 Gallery, is the culmination of that endeavor….
Dorothy Iannone’s career: “A long time coming”
Dorothy Iannone, “Let me squeeze your fat cunt,” 1970-71, acrylic and collage on canvas, 74.8″ x 59.1″ In Time Out, Howard Halle reports that the […]
Dieter Roth: The radicalism of social disengagement
In the NY Sun, Stephen Maine reports that Dieter Roth’s work possesses some of the neo-Dada characteristics of Pop art, but is “as enmeshed with […]
NY Times Art in Review: Substraction, Dieter Roth
“Substraction,” curated by Nicola Vassell. Deitch Projects, New York, NY. Through May 24. Artist include Kristin Baker, Dan Colen, Rosson Crow, Elizabeth Neel, Sterling Ruby, […]



















